What is Article 13 and why is it important

Dubbed the “meme ban,” Article 13 of the EU Copyright Directive has come under much criticism as it puts the onus on publishers to enforce copyright laws. The likes of Google, YouTube, and Twitter are less than happy about the implications of the new legislation.

It’s not just publishers that will be affected. Distributors of content who rely on these channels could have their livelihoods put at risk, and consumers of content via these channels are in for a drastically different experience.

In this post, we explain more about what’s involved in Article 13 and what it means for publishers and internet users.

Update March 23, 2019: The EU Parliament has passed the Copyright Directive including Article 13 with no amendments. Member states now have two years to pass their own laws that put the Copyright Directive into effect.

What is Article 13 and why is it important?

Article 13 is part of The European Union Directive on Copyright in the Digital Single Market (often abbreviated to “The EU Copyright Directive”). Directives are in place to set objectives for EU member states, so once the legislation is finalized, all member states will need to come up with their own legislation that aligns with the directive.

Article 13 is a part of The EU Copyright Directive that is getting some negative attention. Specifically, the problem lies with the responsibility being placed on publishers. The directive requires that providers of online content sharing services “take, in cooperation with rights holders, appropriate and proportionate measures leading to the non-availability of copyright or related-right infringing works or other subject-matter on those services, while non-infringing works and other subject matter shall remain available.”

What this basically means is that it will be the publisher’s responsibility to take down any copyrighted material. In the current landscape, publishers like YouTube will typically remove content if the copyright holder asks them to. They do have some detection measures in place for weeding out infringing material, but they’re not able to catch everything. As the legislation stands, they would likely need to implement superior automated detection measures, which would be costly and potentially unreliable.

The implications for publishers

YouTube CEO Susan Wojcicki has plenty to say about Article 13 on the company’s blog, including the following:

“Article 13 as written threatens to shut down the ability of millions of people — from creators like you to everyday users — to upload content to platforms like YouTube.”

Her major stated concern is that by using filters to block copyrighted content, all copyrighted content could be blocked, even when it involves fair use. In relation to this, in another blog post, Wojcicki discusses the difficulty in determining who owns rights to material in the first place.

Despacito
Wojcicki uses global hit “Despacito” as an example of a piece of content for which it would be extremely difficult to determine rights ownership.

However, the real underlying concern for publishing giants is bound to be revenue. By tightening rules around copyrighted content, YouTube and its publishing counterparts will be unable to deliver the same range and quality of content to their audiences. This will ultimately force consumers to look elsewhere (to platforms that are paying copyright holders for their work).

Aside from affecting publishing platforms like YouTube and Twitter, the knock-on effect will be felt by the hundreds of thousands of people whose livelihoods depend on the distribution of content through these platforms.

As the directive is not yet law, it will be up to member states to decide the exact rules that will be in place and punishment, if any, for breaking them.

The implications for users

Although the reasoning behind the directive — copyright holders getting paid fairly for their content — isn’t being disputed, there are concerns about how the directive can be implemented. As mentioned, current talks involve the use of automated filters to detect infringing content. The latest version does state that automated blocking of content should be avoided, but thus far, there is little to suggest an alternative.

If automated filters are put in place, there’s a real concern that fair use of copyrighted content could be blocked. This is where the “meme ban” moniker comes in, as people are wondering if a meme would pass such automated systems. Currently, even though memes often involve copyrighted images, they are protected from copyright laws as parodies. If automated systems are used to detect copyrighted materials, it’s unclear if such images would pass.

No matter what gets through the filters, there’s no doubt that implementation of Article 13 will result in EU viewers having very limited access to content as compared to the current landscape. It could whittle their options down to content from a few large companies, and force them to pay premium prices for content that they are used to consuming for free or for a minimal fee. As we discussed in an earlier post, it’s highly likely that Virtual Private Network (VPN) usage will increase among Europeans as they find ways to maintain their status quo in terms of content consumption.

What will happen next?

The directive is not yet law and although it has many proponents — mainly content producers and their representatives — is has a great number of opponents who are voicing their concerns. We mentioned YouTube’s CEO earlier, but many other company bosses and other internet pioneers have joined in their criticism of the directive. Some have even penned an open letter to the President of the European Parliament to express their discontent with Article 13 as it stands.

Included in that group is Wikipedia founder Jimmy Wales, even though this platform has already been explicitly excluded from the scope of Article 13. This fact is symbolic of the stand against the directive being less about the bottom line of individual companies and more about the fight for overall freedom of expression via the internet.

Even though the directive has been passed in the European Parliament, these voices of concern don’t have to be in vain. The final wording has yet to be decided and is being discussed by the European Commission, Council, and Parliament. The wording will be brought to a vote in January 2019, and once passed, the directive will need to be implemented by EU member states within two years.

Image credit: “Copyright Protection” by Pete Linforth licensed under CC BY 2.0